Sea Captains: San Francisco 1800s
On August 22, 1822, an English whaler, the Orion, put into Yerba Buena Cove for supplies of wood and water.
Captain William Richardson, described as "tall, fair haired, blue-eyed and young," was sighted by Maria Antonia, daughter of Lieutenant Ignacio Martinez of the Presidio. The Captain, probably with prodding from his daughter, invited the Captain to stay for a time at their home.
Captain Richardson taught carpentry, boat building and navigation at the Mission, served as Captain of the Port of San Francisco, and began building at the Cove the first house of any substance in San Francisco. The building was to be used as a trading post. Richardson had charge of several schooners belonging to the Mission Dolores, and one belonging to the Mission Santa Clara.
The Captain soon married Maria Antonia. In order to do so, he joined the Catholic Church who baptized him "Don Antonio Richardson." This was the first great Spanish-Anglo Saxon wedding and it was held at Mission San Francisco de Asis (Mission Dolores) on May 12, 1826.
In 1838, William Richardson received a Mexican land grant, Rancho Saucelito (Little Willow Ranch), which is just North of San Francisco across the Bay in Marin County (a portion of which is now named Sausalito).
The grant contained all the land southeast of Mt. Tamalpais, and included Redwood Canyon and the lands now within Muir Woods National Monument. Richardson brought cattle from Spain to his ranch and hired Vaqueros from Mexico to care for them. Some vaqueros were Miwoks or Ohlones, Native Americans that lived on the Northern California coast prior to the arrival of Europeans. Two times a year the cowboys herded and slaughtered the cattle for hides and tallow. The tranquil Spanish way of life was maintained until gold was discovered in California.
Captain Richardson's fortunes waxed and waned from his businesses, one of which was in building small craft to shorten the overland route of bringing supplies in from Peninsula cities. His trade included otter skins as otters were then numerous in the bay and rivers, and their skins plentiful. Their pelts were sold to Boston traders for from $40 to $60 each. Captain Richardson commanded a vessel and traded along the coast as far south as Valparaiso. Trade at that time was practically all barter -- tallow and hides, sea otter and beaver skins being the currency.
Captain Richardson was appointed San Francisco's first harbormaster in 1835. In that same year, the Captain formally established residence in Yerba Buena Cove by building a small house there for his family. Captain Richardson watched the town grow from about a dozen houses and fifty residents in Yerba Buena in 1844 to about ninety buildings, shanties, adobes and frame houses, and about 200 inhabitants by the end of 1846.
At one point Captain Richardson employed an Indian by the name of Monica who was about eighty years of age. Monica was a boatman in launches which ran goods back and forth between different points on the Bay. This old Indian told Captain Richardson that his ancestors passed on a story that a long way back there was no Golden Gate; that between Fort Point and right across to the north it was all closed by a mountain range and there was no access to the ocean there. He said the natural outlet of the bay was through the Santa Clara valley, across the Salinas plains, to the Bay of Monterey. Monica relayed the story that in a tremendous convulsion created the passage where the Golden Gate now is and that became the entrance to the Bay. In the course of time the Santa Clara valley and other land between the lower end of the Bay of San Francisco and the bay of Monterey became drained and elevated . . . "
December 30, 1852, Daily Alta California, San Francisco
The Protection of Sacramento
MESSRS. EDITORS: -- The discussion in your paper relative ot the best mode of protecting the Sacramentans from the periodical overflows of their rivers, induces me to call attention to a fact, or rather facts connected with the past history of that locality, which may be of service to her citizens, by preventing any future outlay of money in erecting inadequate bulwarks against these floods.
San Francisco Bay. 1899.
Captain Richardson, of Saucelito, states that in the winter of 1825, the water of the Sacramento was ten feet over the back in front of where the city now stands. This gentleman was up the Sacramento river during 1827, two years after, landed at the very spot and saw distinctly the water marks and drift wood on teh trees at this height.
The Indians there at the time corroborated this by saying such was the elevation of water two years previous. Gen. Vallejo and other old residents residents of Califoruia also confirm such information, well recollecting the memorable deluge of that year, which was general all over the territory. Since that period there have been frequent freshets greater than the one at present, as I am credibly informed.
Believing these reports as to so often occurring, and high rises of the Sacramento and American rivers, I must disagree both with your own opinion, at well at your correspoondent's of last week. "Sacramento," in reference to the moist efficacious plan for protecting the city and rendering it a habitable places.
"Sacramento" is entirely correct in assuming that a levee alone, however high and broad, will not answer the purpose purpose; but certainly advances a most preposterous idea, about building brick houses on wooden stilts the latter to be from fifteen to twenty feet high, if such "frames" are to be raised two feet above high water mark, as "Sacramento" advises, the flood of 1825 requiring such elegation.
Should the people of Sacramento not conclude to move en masse to some neighboring site of great eligibility, I would tender them the same advice gratuitously and unselfishly given in 1850 -- to lay down them or railroads, and bring in dirt and gravel from from outside the city, with which to raise the whole ground on which it it built. This with a greater strengthening and elevating the levee may answer.
In 1856, ailing and in financial straits, Captain Richardson put Rancho Saucelito into the hands of an administrator, Samuel P. Throckmorton, and died two months later.
The Authority to Sail: The History of U.S. Maritime Licenses and Seamen's Papers
Robert Stanley Bates, George Marsh (Editor), John F. Whiteley (Forward)
(Batek Marine Publishing, 2011; Nominated in 2012 for a Pulitzer Prize)
This book depicts important aspects of our maritime history never before addressed. This synthesis of key elements of our rich maritime history might never have occurred without the many years of original research done by the author, Commodore Bates, the holder of an unlimited master's license who has enjoyed a distinguished fifty-year career in both the Coast Guard and the American Merchant Marine.
The U.S. Coast Guard issues all Captain Licenses for U.S. Ports.
Note: Other countries have different regulations, i.e. the RYA (Royal Yachting Association), conducts certification for Britain and Ireland. As of 2011, they did not recognize the USCG certification; certification through their courses was required.
Master Unlimited is a licensed mariner in ultimate command of a vessel any gross tons. The captain is responsible for its safe and efficient operation, including cargo operations, navigation, crew management and ensuring that the vessel complies with local and international laws. All persons on board, including officers and crew, other shipboard staff members, passengers, guests and pilots, are under the captain's authority and are his or her ultimate responsibility. The STCW defines the Master as Person having command of the ship.
The Sea Chart
The Illustrated History of Nautical Maps and Navigational Charts
The sea chart was one of the key tools by which ships of trade, transport and conquest navigated their course across the oceans. John Blake looks at the history and development of the chart and the related nautical map, in both scientific and aesthetic terms, as a means of safe and accurate seaborne navigation. This handsome work contains 150 color illustrations including the earliest charts of the Mediterranean made by thirteenth-century Italian merchant adventurers, as well as eighteenth-century charts that became strategic naval and commercial requirements and led to Cook's voyages in the Pacific, the search for the Northwest Passage, and races to the Arctic and Antarctic.
Get Your Captain's License. Fifth Edition
Considered the quickest, easiest, and least expensive way to prepare for the U.S. Coast Guard captain's ratings exams required for anyone who takes paying passengers on a boat, and useful for serious boaters who want to save money on insurance. 350 pages of seamanship and navigation tutorials. More than 1,500 questions and answers from the Coast Guard exams.
This study tool includes:
- The six-passenger "Six-Pack," Master and Mate Inland, Master and Mate Near Coastal, and Sail/Auxiliary Sail Endorsement
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Three Centuries of Seafaring: The Maritime Art of Paul Hee
Rick Carroll, Marcie Carroll (Author, Editors)
Great moments in seafaring history as depicted by internationally known maritime artist Paul Hee are collected in a handsome new art book, Three Centuries of Seafaring: The Maritime Art of Paul Hee. Old salts and armchair sailors will delight in this glossy art book, which features more than 150 color images of Mr. Hee's artful works in signature painstaking detail. Scenes range from battles at sea and famous shipwrecks to yacht races and peaceful harbors. Hee, master of past masters, documents not only moments in maritime history but also the artistic styles of three centuries of painters whose work depicts American and British ships of their day, from topsail schooners to the White Squadron.
A significant portion of book sales benefit the North Carolina Maritime Museum. The book is available in two formats: hardbound with glossy dust jacket ($49.95); and a signed, numbered slip-cased hardcover keepsake, commemorating the 300th anniversary of the 1709 founding of Beaufort, NC, ($79.95), home of Mr. Hee and of the museum.
He raced Ferraris and restored a historic ship, then retired to Beaufort to paint in the luminescent styles of past masters and to build classic model ships.
(Image: Bald Eagle, 1852, by Paul Hee.)